Author:
Challenge: Prompt #2 (Character Study: Tonks) of the Transformations Challenge.
Rating: R
Genre: Angst/Drama
Warnings: implications of character death
Summary: If one can become anyone, is there even such a thing as self?
Disclaimer: This story is based on characters and situations created and owned by J.K. Rowling, various publishers including but not limited to Bloomsbury Books, Scholastic Books and Raincoast Books, and Warner Bros., Inc. No money is being made and no copyright or trademark infringement is intended.
Author's Notes: Thank you to my two wonderfully supportive beta-readers,
Affiliation: Ravenclaw
Tonks hates the way the firelight reflects off her pale cheeks and makes them glow, so she gives herself wrinkles. The wise, old woman (who is neither old, nor wise) sits back in the armchair and tucks her feet up under herself as the dying embers shadow her now-calloused skin just the way she likes. The ridges on her skin make her feel like canvas, like a painting, and the firelight is the paint.
She shifts again, kicking her feet up onto the armrest, her features seeming misaligned, her world-weary lips contrasting with young, light eyes. She leans back, though, not caring, because no one else is around. She doesn’t have to put on a pretty face, and hers are all just masks anyway.
She likes to think that she looks a bit like one of her great grandmothers, or maybe grandfathers. She wonders if the gender matters. She just feels old, like this, and it’s a nice feeling, to know one’s mortality but have it be merely passing sensation. She can change back at any time. Tonks imagines that if she tried hard enough, she could shift her physical appearance back further and further in time until she is just an infant. She isn’t sure why this is important but she keeps it as a thought in the back of her mind. It is reassuring.
Before she goes to bed, she morphs into a little girl, no more than eight or nine. She finds this helps with the nightmares, to have her hair curling down her back in golden ringlets and her legs short enough again to curl them into herself. She doesn’t tell anyone this, and as soon as she wakes up in the morning, the first thing she does is change back to what has become her ‘normal’ self. It is by no means normal, and it isn’t her self either. She isn’t sure what to call it but it’s something people recognize – the jutting strands of violet hair and the wide eyes standing out amidst the other features of her face. She isn’t sure that this is her, or if she’s happy with it, but it’s who she has become and maybe no one is ever really happy with who they become.
Once, Tonks woke up in the middle of the night after a nightmare, and when she looked down at her body, she found that she’d given herself a cock. And it was hard. She was thirteen at the time and had been absolutely terrified. It was just a dream, her mother had explained, and it meant nothing. But she can’t help but think about it still, although now her sexual explorations have branched out and become more voluntary. She can be anyone during sex, during any time or activity, actually. It’s funny how she doesn’t take advantage of the talent though. She’s usually just Nymphadora, with violet hair and pale skin and breasts that are neither small nor large and legs that could be longer if she set her mind to it.
Her creativity only shines in dreams.
Sometimes she wakes up not even realizing who she is, but knowing instinctively that she is not the same person she was when she fell asleep the night before. She wonders if her mind plays tricks on her when she sleeps. She once woke up from a dream about Remus and, when she looked at herself in the mirror, found her hair red and her eyes green. It’s strange because she never remembers her dreams as being particularly sexual.
The other members of the Order consider her abilities a great talent. They send her on raids and missions where she disguises herself as a Death Eater, a Muggle, an aristocratic housewife. She wouldn’t mind, but the transformations always leave her feet feeling heavier, and her grip on her wand unsteady. Her new hands don’t recognize the feel of the wood, and the flick and swish is less assured. Even her voice changes, and that is the worst. She hates hearing someone who is not herself speak spells that she knows are coming from her own mind. She’s learned the words but they sound wrong when said in a different voice, with the cadence of a different tongue. Perhaps she never had a voice to call her own.
She is a skilled Auror; anyone can recognize that. She fights boldly and enthusiastically. Even when the spells are caught in her unfamiliar throat like foreign syllables, she manages to speak them clearly and her wand almost never misses its target. When she’s not fighting, though, she is immeasurably careless, knocking things over and breaking dishes with thoughtless magic.
Maybe she’s so clumsy because she’s never become comfortable in this body that is somehow not quite hers.
When Tonks was a child, she would leaf through her mother’s wizarding tabloids, staring in fascination at the advertisements, watching the colors change and the people move. There was one figure that stood out amidst the others. It was a pretty young witch with purple hair and a pale, heart-shaped face. Tonks looked at the picture for hours, memorizing the curves and lines, the way the hands folded and the mouth curled. That evening, Andromeda found her daughter sleeping with the tabloid clutched possessively to her chest, hair changed to dark magenta.
Even when her mother woke her up and scolded her, telling her that violet wasn’t a ‘proper’ color, Tonks refused to change back, staring Andromeda down with newly defiant eyes. Andromeda tried to remember what her daughter had looked like as an infant, and wondered why, in that split-second, she couldn’t recall if her eyes had been blue or brown.
These days, Tonks is quiet, keeping her voice low and hollow, because that feels appropriate, and forcing her hair into muted colors, straight strands that fall mournfully to her shoulders. When she runs errands to Diagon Alley, no one recognizes her, and once-friends give her foreign, confused looks. She feels like a shadow, eyes darkened to black like the obsidian pebbles she remembers seeing one afternoon while out with her father. Her eyes are all dilation, colorless like dark slits in parchment, and they don’t twinkle like they used to. People would see her if her eyes were the same. Now she’s changed everything and she looks strange, not even human.
She wonders if Metamorphmagi should be classified as humans. Maybe they’re no more than parasites. She plagiarizes faces and smiles. She steals identities that she can’t keep. They can’t be permanent because they are all the wrong size and shape.
Running rugged, leathery fingers through her graying hair, Tonks makes a decision.
She casts a charm to put out the fire and rises from the chair. Her brow furrows as she concentrates hard. It doesn’t take long. Soon the wrinkles on her skin are gone and she feels the adam’s apple at her throat bob when she swallows. She doesn’t need to look in the mirror to know what she’s done.
Tonks will go on the raid tonight by herself, because there isn’t a raid organized for tonight. She will apparate to Malfoy Manor, knowing full well that there will be Death Eaters there. She will fade into the backdrop of reality like the picture in the wizarding tabloid. Sometimes she wonders if that’s all she is, anyway. She is a diversion, a laugh, a half-smile, a figure that might be likened to the Cheshire cat, had she the mischief or wise words.
Tonks tells herself that this is foolish, that this is giving up, that the catch in her throat of foreign breath is not worth this. She still has herself, and surely everyone questions their identity now and then. She is still Tonks. But that only makes her gone already.
When she passes the mirror on her way to the door, her green eyes flash brighter than they ever have before. She supposes this is because, right now, they aren’t hidden behind overlarge glasses.
She blinks, wondering what it would be like to look like this every day. If she really wanted to, she could wait and find out. But she only needs this tonight.
Not everyone has the chance to die a hero’s death.
April 16 2005, 21:10:19 UTC 7 years ago
Maybe she’s so clumsy because she’s never become comfortable in this body that is somehow not quite hers.
Yes, yes, yes, yes, YES! Of course. She has no body that is hers. She can never remember how long her legs are or where her fingers end or. Amazing.
Andromeda tried to remember what her daughter had looked like as an infant, and wondered why, in that split-second, she couldn’t recall if her eyes had been blue or brown.
Just !!!!!! not even her own mother can define her, can remember, how can she?
She plagiarizes faces and smiles. She steals identities that she can’t keep. They can’t be permanent because they are all the wrong size and shape.
DEPTH baby! Fabulous. Seriously.
Sometimes she wonders if that’s all she is, anyway. She is a diversion, a laugh, a half-smile, a figure that might be likened to the Cheshire cat, had she the mischief or wise words.
Wow. You developing quite a voice my dear. Kudos.
And the ending?? I totally did not expect the ending. At all, and it was PERFECT.
flails... adkl;ajdoipuaerknj;kuapoihnlreak;wekj;io
Okay, you have reduced me to fragmented nonsensical sentences. Happy?
April 16 2005, 21:21:26 UTC 7 years ago
I was actually kinda iffy about this whole thing because I a) don't read Tonks fic, and b) have never written Tonks fic. So I didn't have much basis to go on, but (*stops wibbling*) gaaaaah, thank you so so much.
I love you, Liz. ♥
April 16 2005, 21:15:46 UTC 7 years ago
THE ENDING! *flails* That is so brilliant. It suggests a use for Metamorphmagi as body doubles of famous people who need to be protected and whatnot; I wonder if during the dark ages of the wizarding world (if they ever had dark ages), Metamorphmagi weren't a commodity or something along those lines; perhaps they weren't considered human at some point and were simply used for entertainment or protection... wow.
You've packed SO much meta into this, you realise that, right? Lovely, lovely genfic. My brain is in overdrive thinking about all the little hints you've dropped. This is so haunting and dark and it's so Tonks even though there's almost no resemblance to the peppy cheery thing we saw in canon, because you totally convince that that's a mask.
The comparison to the Cheshire cat is absolutely priceless and rings so true.
Oops, must go, pizza awaits; I'll probably be back later.
♥ ♥ ♥ ♥ ♥
April 16 2005, 21:35:55 UTC 7 years ago
I started this with a basic arc - or shell, or what have you - of how this story was going to progress, but then each paragraph just took off on another tangent, and became, in my mind, a bit rambling. :P I kept thinking of more little things to add that probably weren't necessary to get where I was going, but wouldn't allow themselves to be ignored. I'm really glad to hear that it worked. :D
Thank you so so much. ♥!!
April 16 2005, 21:53:49 UTC 7 years ago
Thank you for turning my challenge into THIS.
April 16 2005, 21:59:10 UTC 7 years ago
April 16 2005, 22:19:27 UTC 7 years ago
I LOVE this.
April 16 2005, 22:20:15 UTC 7 years ago
April 16 2005, 22:59:14 UTC 7 years ago
"Before she goes to bed, she morphs into a little girl, no more than eight or nine. She finds this helps with the nightmares, to have her hair curling down her back in golden ringlets and her legs short enough again to curl them into herself."
That line seemed to capture a sense of hope and desperation to me, and it made me wish so hard that someone was there to hold her, so that she didn't have to turn into that little girl every night.
And the ending was just perfect; I feel so proud of her and desperately sad all at once. You've really captured so much that could be easily missed with this, and now I'm always going to view Tonks in a new light.
April 16 2005, 23:21:32 UTC 7 years ago
I feel so proud of her and desperately sad all at once.
YES. That is exactly what I was thinking as I wrote this. She carries herself with a new-found confidence, or, at the very least, resolve. I'm so glad that came through! :D
Thank you so so much for your wonderful review! ♥!
April 17 2005, 00:07:39 UTC 7 years ago
This is incredible and I'd say by FAR the most intreguing thing you've ever written. I love how you'v shown Tonks as someone who can't know herself because she doesn't have a self, really. The last part really caught me. Wow.
♥!
April 17 2005, 00:15:28 UTC 7 years ago
The last part kinda caught me by surprise to, when I was writing this. I didn't really expect for it to take that turn, and I was almost going to edit it out until my beta-readers reassured me and told me to keep it :P
♥!!
7 years ago
7 years ago
April 17 2005, 01:21:00 UTC 7 years ago
"She just feels old, like this, and it’s a nice feeling, to know one’s mortality but have it be merely passing sensation."
I love this line- it perfectly fits the whole mood of the piece in my mind. That statement really spoke to me for several reasons. The main one was that I can associate with that type of feeling- that's the way I feel about mortality.
"Maybe she’s so clumsy because she’s never become comfortable in this body that is somehow not quite hers."
That is a very astute observation that honestly never occurred to me. It brings an entirely new perspective on the character that is Tonks.
"She is a diversion, a laugh, a half-smile, a figure that might be likened to the Cheshire cat, had she the mischief or wise words."
This line has a lot of emotion/meaning behind it. It stuck out at me right away and really conveys a lot of the inner psyche of your Tonks. I'm quite fascinated by all the underlying structure and possibilities of this piece.
"Tonks tells herself that this is foolish, that this is giving up, that the catch in her throat of foreign breath is not worth this. She still has herself, and surely everyone questions their identity now and then. She is still Tonks. But that only makes her gone already."
So emotionally ladened that it literally wrenches, if that makes any sense a'tall. Like I've said numerous times, I absolutely adore how deeply you dove into her character. I'm envious that you could pull it off with such aplomb too. I know I'm getting quite repetitive, but this section really spoke to me as well. It kind of gave me a jolt, because I've felt this way in the past.
Superb piece my dear Snoy.
April 17 2005, 01:50:55 UTC 7 years ago
it perfectly fits the whole mood of the piece in my mind.
Exactly. I was really striving to explore the whole idea of self/identity/life(and by extension, death). Especially with someone like Tonks, it seems like the simple grounding of self-identity is complicated so much, and there's nothing she can really do to alter it. In canon, she seems so confident with who she is, but there has to be another side to that. >_>
Thank you so much. ♥!
April 17 2005, 01:29:33 UTC 7 years ago
That was so wonderful in so many ways...I feel like I'm going to cry. I never really thought about Tonks' perspective on what she is and...wow.
::adds to memories::
April 17 2005, 01:51:26 UTC 7 years ago
April 17 2005, 09:51:38 UTC 7 years ago
You rock and I suck.
April 17 2005, 13:19:41 UTC 7 years ago
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April 17 2005, 14:42:32 UTC 7 years ago
I think most of what I wanted to gush about has already been said so I'll just comment on the overall feeling of the fic. It's really a lovely insightful piece that shows a depth to Tonks that we don't really see. Particularly fousing on her abilities, you show that she doesn't neccesarily think that her magic is cool and such, but rather the insecurities she has with them.
Her identity is what shone through in this, how she can't really be an individual but is a collective of faces and identities. This line
she couldn’t recall if her eyes had been blue or brown.
just kills it, nails it, owns it. Her own mother couldn't distinguish her infant features from the ones she adopts from day to day. I saw that bit as really making a show of the lack of history (in a sense) she has had because she's never been the same person.
This is just really astounding, I mean I didn't think anyone could extract so much substance out of so little material to begin with. But you've done an extremely good job of it <3
A delightful read, hon!
April 17 2005, 15:11:58 UTC 7 years ago
We've seen in canon the way transformations affect the other characters - Remus, most prominently, so I could never see how someone like Tonks, no matter what strength of will and resolve she might have possessed, could be as cool and comfortable with her abilities as she appears to be in what little we see of her in canon. Insecurity is a component of being human. It defines us, and I wanted to explore that with Tonks. :D
I saw that bit as really making a show of the lack of history (in a sense) she has had because she's never been the same person.
You caught a really interesting idea with that line. If she has no self, then maybe she doesn't have an 'origin', either. Sure, she is the child of Andromeda Black and Ted Tonks, but her abilities detach her from them, to the point where her parents cannot even recognize her.
Thank you so much for your wonderful review! ♥
April 17 2005, 22:31:11 UTC 7 years ago
MY LAST SQUICK IS GONE.
Okay, now let's be serious. This was beautiful, Snoy. No one can deny it. I'm crying, because I'm a sentimental bitch (ooh, oxymoron). I knew that she had turned herself into a male by "she feels the adam’s apple at her throat bob when she swallows", but I was baffled by who she had turned herself into. Now that I think about it, it seems just like Tonks to do that. By the way, I loved the way Andromeda forgot what color her eyes were. And, the cock. *giggle* I love how she was scared by the way she had a cock and that she didn't act like it was the most natural thing in the world.
I'm adding this to my memories, because it has sentimental value. It was the first genfic I ever read. Aww. I love you, Snoy, even though you are a prick. >.>
April 17 2005, 22:51:12 UTC 7 years ago
And yes, the cock! See? There can be cock in genfic! :P
I love you so so much right now, Medi. Not only for your amazing review (*blushes*), but just for giving genfic a chance. ♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥
April 18 2005, 04:49:14 UTC 7 years ago
"She wonders if Metamorphmagi should be classified as humans. Maybe they’re no more than parasites. She plagiarizes faces and smiles. She steals identities that she can’t keep. They can’t be permanent because they are all the wrong size and shape."
just omg. guh.
April 18 2005, 12:19:14 UTC 7 years ago
April 23 2005, 07:13:45 UTC 7 years ago
I loved this story. I especially liked your explanation for Tonks' clumsiness. ~Goes off and adds page to memories~
April 23 2005, 14:45:50 UTC 7 years ago
May 2 2005, 18:00:20 UTC 7 years ago
Not everyone has the chance to die a hero’s death.
Maybe she needs this to define herself?
May 2 2005, 18:04:48 UTC 7 years ago
And I think you're right about the last line. If she doesn't have a self, she can at least strive to define herself through her actions.
Thank you so much! ♥
July 29 2005, 22:33:20 UTC 6 years ago
Wow. This is a really sweet and touching moment, and so vulnerable as well. And then the second half of the paragraph, about being happy with who one is, and how that's so much more complicated when you have so much more control over who you are.
> Once, Tonks woke up in the middle of the night after a nightmare, and when she looked down at her body, she found that she'd given herself a cock. And it was hard. She was thirteen at the time and had been absolutely terrified. It was just a dream, her mother had explained, and it meant nothing. But she can't help but think about it still, although now her sexual explorations have branched out and become more voluntary. She can be anyone during sex, during any time or activity, actually. It's funny how she doesn't take advantage of the talent though. She's usually just Nymphadora, with violet hair and pale skin and breasts that are neither small nor large and legs that could be longer if she set her mind to it.
Mmm, interesting.
> She wouldn't mind, but the transformations always leave her feet feeling heavier, and her grip on her wand unsteady. Her new hands don't recognize the feel of the wood, and the flick and swish is less assured. Even her voice changes, and that is the worst. She hates hearing someone who is not herself speak spells that she knows are coming from her own mind. She's learned the words but they sound wrong when said in a different voice, with the cadence of a different tongue. Perhaps she never had a voice to call her own.
Oh wow. I'd never really thought about that, about how weird it must be to be yourself but not yourself.
> Maybe she's so clumsy because she's never become comfortable in this body that is somehow not quite hers.
Mmm...
> She wonders if Metamorphmagi should be classified as humans. Maybe they're no more than parasites. She plagiarizes faces and smiles. She steals identities that she can't keep. They can't be permanent because they are all the wrong size and shape.
Mmm...
And okay, so i wasn't particularly coherent, but this is really very good.
July 29 2005, 22:36:12 UTC 6 years ago